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Director, Emily Sheehan, watches the scene.

Preliminary Story Boards rendered in real-time as Director, Emily Sheehan, & artist, Katherine Rich, discussed the opening sequence of the film.

Multiple Horses. To achieve the experience of “carving,” multiple iterations of the horse had to be 3D cut & generated.

Camera Operator, Andrew Fewsmith, & Lead Actress, Victoria Blade, take a break between set-ups.

A morning shot with Operator, Andrew Fewsmith, & Sound Recordist, Joseph Dwyer.

Preliminary boards drafted by Cinematographer, Tom Hernquist, to sketch out the difficult “time-passes” sequence.

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BRINGING A LITTLE WOODEN HORSE TO LIFE….

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STEP 1 – Storyboards

STEP 2 – Concept Approval

STEP 3 – Notes Phase

STEP 4 – 3D Render & Scale

STEP 5 – 3D cut of Multiples. Four iterations at different stages of completion were made for the film.

STEP 6 – Raw 3D Cut of Horse

STEP 7 – Final Version of 3D Cut hand refined by Production Designer, Katherine Rich.

STEP 8 – Picture Ready Wooden Horse.

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